One
the few outstanding figures of Peruvian poetry written by women is Patricia Colchado. And the softness and smoothness of his verse is an element which is difficult in poetry - sometimes air saturated with strong feminist and erotic symbolism - of young authors of recent decades in Peru.
After a silence of five years after the publication of its board Hypercubus (2000), Patricia Colchado gave birth to her poems Blumen (Firebird, 2005, 75 pp.), With a title German, Flores, who seemed to answer the question of Marlene Dietrich Wo sind die Blumen geblieben? (Where are the flowers?). There are the flowers, where feelings, desire and consistent body to express the most beautiful. leaves home in these poems floral and succeeds Carmen Ollé, creates "an atmosphere made of glazes, which overlooks a world that does not appear in its crude nature, but through textures, aromas and sounds." His next book of poems, skins of Eden (Holy Office, 2007, 49 pp.) Colchado Patricia continues and strengthens its voice that delicate lyricism, recreating biblical intertextuality clear verses, accompanied by fine brushwork graphics, some quick but intense experiences of three key players in the symbolic constitution of every woman: Eve, Salome and Mary Magdalene.
Poems:
De Blumen (2005):
without fear opening my lips feel
pulp
tender red
a fruit
that a liquid in my belly
between my fingers
night continues
lilac
------------- -----------------------
(De Eva ):
X
quake leaves
verse by verse
on our fingertips
mud made
(De Salome):
The garden sleeps
the aroma of peach
of snails
're late again
lilacs
burn in a godless music
After tearing our clothes back
Mount
there
a gadfly
still dreaming
with a crown of thorns. -----------
München, June 2010
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