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::: YOUR KISSES::: HISTORY OF U.S.

TUS BESOS

One after another they pass your kisses on my skin
in twos or threes but the important thing is to come.

Some come with caresses
and other with sweet words.
There are some so long that I can hardly handle
and other little ones that amuse me.

Livni
my mouth despite the wet they are and keep coming and coming
streets crossing all my round and round.

Some will always remember are recorded, stored in my body
.
also call them if you do not feel
to not let me wanting you.

If I get distracted in one of your kisses
send one for me and you can return
adueñarte
back of my senses my mind and my body.

************

Savefile Annabel Chong 251 Men

The story of us.

We were a near-perfect pairing to be guessed and was complemented in all aspects of our lives.

We felt almost in unison as each was going through the body.

We lived our individualities of the best ways, while we were when we were together, and being one when we did not but thinking, living, and considering adopting another.

Of course, our decisions have always been agreed, discussed, dialogue and to agree it was our ideas that prevailed and not by imposition, but by agreement.

We made love like no one had done ... being yourself and giving hands full the other what I needed, and that made us be more us by the love that we love.

We loved how they learned to make being together, filling the other, pleasant, pampering, taking details of those who are so minimal that made us happy.

But one day everything change ... we stop looking into each others eyes, and our words no longer resonated.

My voice ceased to have replication.

Your eyes no longer find and discover.

Dejaste to live in my living space.

guess I stopped your primitive needs.

And little by little I was being myself again, and is untied, and this abandon, and in this lose, I realized that I went back to being me ... without you.

Chicom Ocelotl

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Robert Walser - Nezami (Persian Lit, century)

love story of
LAILA AND MACHNÚN

One of the most discussed in songs, poems, stories and epic poems of diverse peoples and linguistic circles from the inside caspica to Africa from the Atlantic to the Indian Ocean is the love story "and Machnún Laila." Some scholars have found close links with the story of "Romeo and Juliet." The truth is that the raw material goes back to the west of the Arabian peninsula in the seventh century or so; and had been only a love story and poor episodic, if it had not been reflected in the high lines of the beautiful poem epic written by the Persian poet Nezami in 1189, consisting of three essential elements of universal love, madness and poetry.
The story goes that a young man named Qeis, he meets a girl named Laila. They fall in love passionately. Her father is against a possible marriage between them, justified in the fact that Qeis has dishonored his love poems not only to Laila, but the entire family. Laila, without being consulted, is transferred to another man in marriage. Thus, love becomes crazy Qeis, hence being called 'machnun' (crazy). His father walks with him to Mecca in vain. Machnún leave home, parents and tribe. Vaga, solo, naked and disoriented in the hills of Nadschd. Gazelles' eyes remind him of his beloved. No one can help or stop it. He does not know or talk about anything other than Laila. Verses composed for her all the time, that will be collected by some people to become so famous in its history. In complete solitude and darkness closer Machnún dies.
Immediately after its appearance, thanks to the verses of Nezami, the work was translated into Georgian. There are versions of the XVII century in Italian (and Laila Megnun ) and German ( Megnun-Layla ). Currently there are few known translations made of the Persian epic poem: only the Turkish and Russian, and only partly in English. In 1963 it was translated into German prose, to reproduce in the year 2001 (see picture: Editorial Unionsverlag, Zürich, 2001, 210 pp., Translated from Persian and study of Rudolf Gelpke, Islam, especially in Persian mystic). Then one of the 55 chapters of this edition. This translation will be far from a more expected - a direct line to the Persian English - but it continues to betray the importance of the charged lyricism that emanates from the episode.

Cap. 35
THE VEIL AND FACE
After the death of his father, the desert became a refuge for Machnún. Restlessly crossed with steep canyons Rocky, who otherwise would never have been visited by anyone. And Machnún once appeared here again there, which weed that grows wildly in the mountains, searching for hidden treasure. But this shy human flower in the glass had already been a deadly punishment. Her name was Laila, the treasure he sought. The very existence of Machnún was just longing for it. Day and night the fire burned in him. Nostalgia had taken from his hometown to countless mazes. Some time later, when once distinguished in the distance the fires of an encampment, was attracted to them, like a moth to light at night, like secret signs of the beloved.
So in exile reencontróse again with humans. Everyone knew, or had heard of him, for who among the Arabs do not recognize and then. When Machnún was seen in their midst and while leaving the curious to poke around, suddenly felt his foot a piece of paper, with which the wind played and on which the hand of a stranger, in his veneration of the faithful , had written the words 'Laila' and 'Machnún'. Nothing more. But the two names were there, close together to each other, together side by side. Machnún avid took that role. She watched again with accuracy. Broke by half in two, crumpled the part that said 'Laila' and threw it away, without hesitation. The piece of paper kept its own name.
When people around him saw this, was astonished. All would have expected anything but that. So they went against the poet, called him and asked:
"What does this mean now? Tell us why you did this. What! Both of you were one there, and thou hast become detached. Why, then? How so? "
" Because - said Machnún - a name is better than two. One is enough for both. If you only knew what a lover then you would know also that if only someone one a little tear in the skin to flare out around the beloved ... "
But this explanation did not satisfy listeners.
"Well, - they thought - one name is enough for both. So you say. Maybe so. But why has thrown the name of Laila and kept yours? Why not the other way around? "
" Because you see the shell and not the heart - response given by Machnún - Do not you understand this? The name of the wrapper, and her surrounding me. I am the veil and the face underneath is it ... "

-----------------
Munich, December 2001

[Excerpt from: Huamanchumo, Ofelia (2001) "Analysis of the subject of love in East and West in the light of Leila and Machnún (Nezami) and Romeo and Juliet (Shakespeare)," Comparative Literature Seminar , LMU, "in Orient und Okzident Liebespaare" Dr Shamlu, WAS 2001-2002.]

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GRANDMA'S AGE

One afternoon, a child I was chatting with his grandmother about current events, then he asked:

- How old are you grandma?

The grandmother replied: Well, let me think a minute ...

- How old are you grandma?

"I was born before television, the polio vaccine, frozen foods, Xerox, fax, contact lenses, the contraceptive pill and frisbee.
there were no radar, credit cards, the laser beam, the cell or inline skates. Had not been invented air conditioners, microwave ovens, dishwashers, clothes dryers and hung to dry to fresh air and no mortar was used blenders.
"Gay! Was a respectable English word that meant a happy person, cheerful, no meant homosexual, who affectionately called him "crazy." Lesbians, we had never heard about and the boys did not wear earrings. We knew the difference between the sexes, but no one thought to change theirs, we conformabamos with which we had. Neither had women hairdressers, unisex or aesthetic. AIDS
meant nothing, aids in English was an office assistant. Appointments were not made, and marriages were arranged by computer. Your grandfather and I were married and then lived together and each family had a father and a mother.
The man had not yet reached the moon and there were no jet aircraft for passenger. were not made heart transplants are not hearts and mending socks were revealed pipes, not arteries.

before the computer was born, the smallpox virus caused more files do not fall away. "Chip" meant a piece of wood, hardware was the hardware and "software" did not exist. There was the double
careers, and stress ... trauma or prenatal, or group therapy and psychologists.

bearing was played at the top, with marbles ... no to Nintendo. Until I turned 25, police call each and every man "sir" and every woman "ma'am" or "Miss"
Having a relationship was getting along with cousins \u200b\u200bor just a friendship. In my time of virginity did not produce cancer. Our
lives were governed by the 10 commandments, the good sense and common sense. We were taught to differentiate between good and evil and to be responsible for our actions.
We thought fast food was what people ate when I was in a hurry. Speaking of machines, there were no ATMs, ice cream machines in paleterías, the radio alarm clock, to say nothing of the video cassettes or video imagesetters. If anything, he said "made in Japan" was considered crap and there was no "made in Korea" or made in Taiwan "

had not heard of Pizza Hut, McDonalds or fast food or the bar video or disk. The sauce was a condiment, not dancing. There was no coffee instáneo or artificial sweeteners.
You could buy a new Chevy Coupe for $ 600 (but who's he?) It cost 30 cents a liter for gasoline and one car was enough for the family. There were stores where you buy things for 5 and 10 cents ice cream, phone calls, bus tickets and Pepsi, all cost 10 cents.
In my time, "grass" was something that was cut and did not smoke, "Coke" was a soda and not inhaled and rock music was what made my grandmother's rocking chair. The "bunnies" were just a few animals and beetles were not Volkswagens. We were the last
generation that believed that a lady needed a husband to have a child. Now tell me .... How old do you think I have?
The boy replied: "More than a hundred?

- No my love .... Only 60 ..!!!

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artistic Coverage Karl Valentin


THE 'COVERED REICHSTAG'
Berlin, August 1995

world's eyes turned toward Berlin last July when an art project debated in three decades lake could be carried out: the cover art of the German Parliament (Reichstag). The building itself, opened in 1844, burned in 1933, ruined the end of World War II and rebuilt in the sixties, was always considered one of the few great symbols of the German democratic tradition and therefore unsuitable for be subject to presenting art in a personal capacity, as was the case of Hungarian artist Christo and his wife Jeanne-Claude.

For this colossal work is needed 1 million m2 of polypropylene fabric with vapor-plated surface of aluminum and 15 600 meters of rope, 3.2 cm in diameter, the same material, blue.

exposure to the world of packaging for two Reichstag weeks was certainly an attitude of reflection among its viewers. For the older generation could bring to mind certain memories, happy or sad, glorious city of Berlin in the twenties or the capital of Hitler's empire. Could perhaps result in a vague fear of the revival of a central metropolis and on the other hand, the slight hope in a city for art and freedom.

The younger generations, in turn, draws attention on Berlin, the city of crumbling wall, could not fail to ask themselves searching for answers existing questions, realizing that this is a changing city, where not just rebuild old foundation for building new and whose deployment and future German capital in the commercial, cultural and political, is evident.

Reichstag artistic coverage has become an event of global significance as it has led meditation on the future of a reunified Germany and has given way to free interpretation - whether in the manner of the old or new generations, not only Germans, but of groups from all continents - the symbolism surrounding this art installation, made up of shiny satin curtains protecting a giant cement and glowing in shades of light that seem to project a future in all directions.

-------------

Posted in The Zeitung, Journal of the Goethe Institute in Lima, N. 8, December 1995

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German Parliament in the Isartor. A4


HUMOR AND HISTORY TOGETHER

There is a peculiar place in Munich, the Museum of Curiosities, the great playwright and the Bavarian comedian 20's, Karl Valentin (February 9, 1882), who left a young carpenter to pursue acting. He worked alongside his partner Liesl Karlstadt action. In its nearly 400 sketches humorously addressed the issue of human paradoxes and imperfections in his later years criticized Valentin hard Nazi policy, but with so much skill and good humor that could never be accused of anything. Some critics consider it a precursor of the 'theater of the absurd. " The said museum (144 cents per entry) is in Isartor, one of the four points that made the medieval city wall. One can climb a spiral staircase and go laughing a lot with the sights, for example: Valentin ice sculptures, which are no more than a bowl of water 'drum of spirits', which supposedly plays at midnight when no one can hear, a 'door for the curious' that leads to nowhere, a large nail embedded in the wall where the young man bravely Valentin 'hung' the carpenter (luckily for us) ... Finally a comfortable café welcomes lovers of antiques and Valentinian theater with a phrase in Bavarian dialect: "Kimm, geh ma heit Falentin-Musäum ins." ----------------

Posted in The Zeitung, Journal of the Goethe-Institut Lima , No. 9, March 1996, 23.

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DRAG to LOVE to your home directory.
Save it in all your personal files.
select it as your Master Document.
Let him be your MODEL to FORMAT your life.
justify it and line it up right and left, without interruption in your walk.
That LOVE does not is only an ICON, an accessory, a tool, a footer, but the header, the LETRAPRINCIPAL, the slider of your walk.
That he is the source of grace to your work area, the COLOUR BRUSH PAINT for your smile, the configuration of your life.
be the new paraVISUALIZAR WINDOW SIZE of your love, the CONTROL PANEL to keep your kicks, to share your resources and access to the heart of your friends. COPY
all that is good, ERASE your mistakes.
sidelined Do not let anyone open the edges of your heart, out of selfishness he VIRUS. And before closing, put LOVE in your favorites and your life will DIRECT ACCESS to happiness.

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DOUBLE CLICK FOR PEOPLE CRY?

One day a teacher asked his disciples the following: - Why do people cry when they are angry?
The disciples thought for a while - because we miss the quiet, they said.
- But why to yell when the other person is on your side, asked the teacher. Is it not possible to talk in whispers? Why do you yell at a person when you're angry? The disciples gave some other answers but none satisfied the teacher. Finally he explained: - When two people are angry their hearts are far removed. To cover that distance must shout to be heard. The angrier they are, the stronger will have to shout to hear each other through that great distance. Then the teacher asked: - What happens when two people fall in love? They do not yell but talk softly, why? Because their hearts are very close. The distance between them is very small. The teacher continued: - When they love even more, what happens? Do not speak, only whisper and become even closer in their love. Finally, do not even need not whisper, they only look and that's it. That's when two people are close lovers. Then the master said: - "When discussing do not let your hearts away, do not say words that distance, because there will come a day when the distance is so great, you will not find again the way back."

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LIFE IS LIKE A RIVER

LIFE IS LIKE A RIVER Never explain yourself to yourself to anyone. Because the person who loves you do not need it, and the person who does not love you not believe you. Do not let someone become priority in your life when you're only an option in theirs ... Relationships are best when they are balanced. When we wake in the morning, we have two simple choices: turn to sleep and dream, or wake up and chase those dreams. The choice is yours. We mourn those who care about us. We grieve for those who never care for us. And we care for those who never cry for us. This is the reality of life is strange but true. Once you become aware of it, never too late to change. Do not make promises if you're happy. Do not answer if you're sad. Do not make decisions when you are angry. Think two veces.El time is like a river. Can not play the same drop twice, because the flow will never happened again.

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I BELIEVE ... In the affections, tenderness, friends. With tenderness, a body and a dead heart, may return to beat. That "chance" joins us things that increase our hope. That we should not put limitations on the dreams to be. We have been taught to give and receive generously do not know. Patience is what keeps hope. Never too late to repent and ask forgiveness. That he felt a glance, a loving heart can get drunk. Yes you can learn to trust again. I can not teach what I have not but we can share what we know. That is to say what you feel, do you think, and give what you have. When a friend goes, is that carried out the function for which was in our life. That mistrust us not to go out the window to see who's calling. That it is wise to know when to speak and when shut.
That words can never be collected once they have left our mouth. You have to think carefully before speaking, calm down when he is angry, resentful and speak only when you are at peace.
That there is a place in the heart where hope and is living in that place in our hearts we find the heat needed to cover the lonely nights of memories and disappointments.
That there is hope. That if we do and live according to our heart. If we the best of us every moment of our lives. If we love selflessly. If we do unto others what we like or want to do to us, this world we live in can change.
That life is beautiful. That fills us with opportunities to feel happy to be alive.
never too late to begin again, to build roads, to ensure that all live in dignity and peace.

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I THINK WHEN SOMEONE COMES INTO YOUR LIFE

People come into your life for a REASON, a SEASON, OR A LIFETIME. When you know why someone came into your life, know what to do by that person. When someone comes into your life for a REASON, it is usually to meet a need you have expressed. Come to assist, to overcome the difficulty, to provide you guidance and support, to aid you physically, spiritually or sending emocionalmente.Pueden seem a divine, who knows!. Are for some reason you needed to be there. Then, without doing anything wrong, or at an inconvenient time, this person will say or do something that makes the relationship to an end. Sometimes they die, others just walk away. Occasionally act in ways that involve leaving. What you must realize is that your need has been satisfied, your desire, complete. His work is complete, your prayers were answered and it is time to move adelante.Algunas people appear in your life for a SEASON, because your time came to share, grow or learn. Give you the peace you needed or make you laugh. They may teach you something you never did or had done. Usually give you a huge amount of joy and bliss. Believe it, it's real!. But only for a season. Relations FOREVER, I teach lessons that last throughout your life. Things you must build to achieve a solid emotional foundation. Your job is to accept the lesson, love the person, use and practice what you've learned in all other relationships and areas of your life. It is said that love is blind but friendship is clairvoyant. Thanks for being part of my life! "Whenever there is a hole in your life, fill it with love."

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At a meeting of parents in certain school, the director stressed the support that parents should give children. Also present were made calling for the maximum possible time. She understood that, although most parents were workers of that community should find a little time to dedicate and understand children. However, the director was surprised when one parent stood up and said, in a humble, that he had no time to talk with your child during the week. When he went to work was very early and his son was still sleeping. When you come home from work it was too late and the child was no longer awake. He further explained that he had to work that way to provide the support the family. He also said that not having time for your child as much distressed and tried to redeem approaching to kiss every night when he arrived home and, that his son knew of his presence, he made a knot at the tip of the savannah that covered. That happened religiously every night when going to kiss him. When the child awoke and saw the knot, know, through him, that his father had been there and kissed him. The knot was the means of communication. The director was thrilled with this unique history and was even more surprised when it found that the son of that father was one of the best students of the school. The fact makes us reflect on the many ways that people can be present and communicate. One father found his form, which was simple but efficient. And most importantly, her son was receiving, through the emotional knot, which his father was saying. Sometimes we are so concerned with how say things that we forget the main thing is communication through feeling. Simple details like a kiss and a knot on top of a sheet, meant for one child, much more than gifts or empty apologies. It is true that we care for people, but more importantly they know, they can feel it. For there to be communication is necessary for people to "hear" the language of our heart, for, in terms of affection, feelings always speak louder than words. That is why a kiss, clad in the purest affection, cures headache, the scrape on the knee, the fear of the dark. People may not understand the meaning of many words, but they know to register a gesture of love. Although this gesture is only a knot .... I can not tie a knot in your sheet, but I try to present me with these lyrics .. and it is only to feel that here I am, I'll be here for when you need me.

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literature: Coffee with Letter N ° 5

Editorial -

Lima, October 2000
" poet to business - and Latin American poet - was not bad the coffee cultivation." José Santos Chocano ( Memories )

In October there are no miracles, reads the title of a Peruvian novel. However, the long lines I've seen this month at the embassies of different countries in Lima appear to show that thousands of professionals still believe the opposite, namely that the miracles of scholarships for study abroad are, for example. If one takes account of money that a student has just graduated to invest in translating papers - to aspire for a college graduate of any non-English speaking country - or in approved securities and titrated only - just postulated to Chile, Mexico or Spain - in buying the plane ticket (Usually not included in the grant) and leave a large cash deposit in a national account to ensure the return home, then one comes with surprise that we need a couple of years have been working and saving to even think in applying for a scholarship. But that is not the case. And also the little money we need a good dose of Vitamin C, ie 'conections', not forgetting, of course, in applying for the right career, one that finished after the grant "progress and development can provide the country. " And at this point seems to be ruled out race for Literature.
However, many poets and writers are exiled Peruvian miracle and voluntarily. It is true that many of the great figures of Peruvian letters had to live in exile (César Vallejo, Manuel Scorza, etc.), And others voluntarily chose that option (Julio Ramón Ribeyro, Jorge Eielson, etc.), But all they could give great results, that addition did not come from the fact of being in "the stranger", but had a universal value and a weight itself.
I do not believe in miracles, but I have faith that our poets and writers gone back to Peru, not necessarily in person but at least in published books, or in strips of manuscripts for publication.

-----------------------
(In: Coffee Letter, A4 literature, free distribution, a thousand copies, No. 5, October 2000, Lima, Peru)

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A4 literature: Coffee with Letter N ° 4

Editorial -
Lima, March 2000

"... the night without coffee coffee stanched insomnia." Palm Sunday.

Unlike the beginning of the century that passed, the letters in our beloved Lima, twenty-first century, are not exclusive activity of the dominant groups or of a political class linked to the country's administration, the literary discourse not only distinct part of official political discourse. So if it is true that here and now, culture in all its forms is developed in diverse socio-political tone, it is regrettable that for the case of literature, the presence of patriotic verse sympathizer and revolutionary opposition pamphlet repeated and significant spaces available.
is known throughout the literary history of our country was great figures who combined great political thoughts and activities with the universal discourse that offered their works, César Vallejo and Javier Heraud, are an example. However, it is sad to note that today in our little world of letters - press universities, cultural centers, literary cafés and bars - get dressed politicians infiltrate poets, philosophers, great thinkers. Anyone who lives in Lima could have stopped breathing in the last week a smelly political air has snuck in some cultural environments of the city against the dictatorship poetry readings, literature and peace, poets for freedom, manifested by a country with a future. But: What is the yardstick to measure the boundary between art and revolution? At what temperature the artist's political fever becomes delirious? When a poem-protest song becomes universal? Is it necessary in the art to target search a political identity?
Taking into account that our environment can not speak of literary criticism without addressing the political issue - despite many studies rely on the interpretation of the conduct of its creators from power, rather than the works themselves - I will patience in waiting to pass the electoral hurricane survivors to assess the works.

Ofeliah. -------------------

(Posted Coffee Send , A4 literature, free distribution, a thousand copies, No. 4, March 2000, Lima, Peru )

Image: Detail painting "HB PA. with her daughter Flora "(F. von Amerling, 1833).

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A4 literature: Coffee

Editorial -
Lima, July 1999

" ... and the aroma of insomnia coffee with his wet, dark, intense. " Washington Delgado.

I find it difficult to assume that there is a tiny number of readers Lima that have not ever bought a pirated book, either out of respect for rights the author, for fear of their own conscience or because they are on the money. It is to say NO to piracy does become a laudable act of civic considering the high cost of any copy in bookstores and gift extremely tentative prices that we offer the vendors step pirate (always red lights every corner). In addition, because through such heroic attitude can still subsite old bookstores and some publishing houses in our area.
However, without wishing to justify piracy, I think it's lack of popular editions (paperback, a " pueblilibros" , etc.) Which feeds much of that dark parallel market. Imagine
, referring to the International Book Fair Lima (event you are looking for readers reach the most significant works of local and foreign publishers), another Book Fair Pirate. In matters of sales, I imagine the second successful: people crammed arranchándose copies of the most renowned authors and the latest scientific translations into English. And in a matter of readers would be easy to think that anyone buying cheap editions to turn into a particular library, or as a luxurious gift, but to actually read them, therefore, we would estimate that the second fair is also a large margin exceed the first. As for the trade side events: at the fair also imagined would lack the concerts, concerts, lectures, although they do not have any position with authors willing to autograph copies. But would it be possible Bookmobile as part of activities in both shows?: Impossible goals of both events would continue pointing always to the sale.
Seen this way, I think the main concern against piracy should focus on promoting reading, particularly among children and young people so that eventually, everyone - publishers, consumers, authors and readers - can reap the I get dragged off the culture, for example, the entrenchment of values, including respect for intellectual property.

Ofeliah. ----------------------

(Posted Coffee Send , A4 literature, free distribution, a thousand copies, No. 3 July 1999 Lima, Peru )

Image: Detail painting " Velleda " (Camille, 1640).