Saturday, January 22, 2011

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The eternal teachings of Luis Jaime

The anecdotes and Professor Luis Jaime Cisneros that all his pupils we have recalled in these days because of his sad departure, could fill thousands of pages of a thick notebook In memoriam. I think we met the teacher Luis Jaime will always remember with gratitude for that moment in our lives that dared to leave a Sue, a small footprint that only the dedicated makers manage to do that cause a shift in the way of our stocks, for good. And it was precisely his role as a teacher what I admire most about him: the fortitude that until the last moments of his life led him to not falter in the noble task that came into the world.

few years ago when I found in my mailbox an envelope with mail blanquirojo Peruvian border and an inscription made on a typewriter, what was my surprise to open the letter and confirm that the sender was announcing the envelope the voice of my old professor at the Catholic, Luis Jaime Cisneros, in handwriting. So far, I had followed a happy reunion after a long time - on the occasion of the publication of my first book - and especially his voice encouraging counselor, also a friend you trust, able to share the memories that this beautiful city of Munich brought him and published his latest projects and concerns.

This fluid exchange of letters may not materialize and no more, from now on, in his familiar ritual of an annual meeting in the library of his house in Miraflores, Lima in my distant past. Fortunately, in time immortalized in his teachings I will see again and again, maestro Luis Jaime. Farewell!.

Not On Period But Mucus With Dark

Willow goes on a trip (International Tour Book)

know Willow? No?? I'd like to meet? Voyager Books The blog offers a tour for this book. More information here !

Knee Prosthesis Failure

Mistwood


Name: Mistwood
Author: Leah Cypess
Year: 2010
loan from LBT girls (Thank you)

Synopsis:
(From LBT)

Review:
begin speaking style the writer. Typically, this is a point I consider crucial in any book, something so essential that it is capable by itself of making you stop or continue reading the story. At first I did not like Leah wrote: one way or another always seemed to me that history was forced out of his head, and that was full of detail and subtle nuances of which I felt so lost as the same character. Although, if I have learned is to having patience to a book, so keep reading and I regretted it: The plot is good, good enough to make me forget the author's style and focus on what was happening with characters.

Speaking of the plot or the story itself, there are details that could be improved with a second review of the same, but are minimal. In general it is a very good story (for my taste), full of political intrigue, discoveries, hidden myths, flashbacks and a lot of good sense (not as sentimental clichés that abound these days). It enganchante and well done. I finished reading it from Friday to I received and the following Sunday. That's how good it is.

Although, realistically, a good plot is nothing without good pesonajes. This is where the real art Leah into action. The characters are human, deep, three-dimensional and evolving history. Some are very complex (most) with devious past behind them. Others have hidden motives, but well grounded in all events and human emotionality that characterizes them. He left me fascinated so much versatility, not really expecting it.

The cover is fine. I love it but does the trick: attention, is related to the history of the book itself and is generally nice. I really like the lyrics of the title and the effect of the eye of Elizabeth.

The end ... Meh .. not bad, but I expected a little more. Yes, very close (in fact) I expected to happen, but I felt like that was developed a little more. As it gives the impression of being incomplete. As for who is Isabel ... As a writer I also did something similar. Not the same letter by letter, but more or less ... I can not say more without telling them something important so I'll shut up xD!

Overall a good book, auque not great.
I give it four: I liked it and recommend it, but I love it.

Adiosiiin

Sunday, January 2, 2011

Something Wrong When Toddler Always Thirsty

One hundred years after the birth of José María Arguedas

(Image: Cover of the book)


January 18 The next one hundred years since the birth of one of the most representative estudiosos de la cultura andina y popular en el Perú: el escritor y antropólogo José María Arguedas (Apurímac, 1911 – Lima, 1969). Este ilustre peruano dedicó su vida a luchar contra el olvido y por la salvaguarda de elementos culturales rescatables de las tradiciones andinas sobrevivientes en las regiones más olvidadas del Perú, con su carga autóctona y colonial. En ese sentido podemos encontrar consuelo en pensar que la ‘designación oficial’, por parte del gobierno peruano, del 2011 como Año del centenario del Macchu Picchu para el mundo – y no como muchos hubiéramos preferido fuera dedicado a la difusión de la obra de Arguedas – puede ser indirectamente also called attention to the meaning of the task that both propel Arguedas same, ie, the importance of preserving cultural heritage of Peru.

The way that Arguedas had to fight for the preservation of the cultural elements of pre-Hispanic heritage was marked not only through his work as an anthropologist, ie, gathering material for songs and dances, musical instruments transcript of oral myths Andean Quechua or translating the colonial manuscripts - such as the Inkarrí, for example - etc., but by using literature as a tool of engagement and dissemination. Thus, among many other examples I could mention, the Andean tradition of the dance of the scissors and the peculiar vision of the world that maintains its danzak ' or dancer, the story is revealed in agony Rasu The Niti , or the celebrations of the story Yawar Fiesta come to us in its crudest. However, the greatest merit of the literary work of José María Arguedas is that the more varied palette of myths, beliefs and legends Andean provides us with a special look: the subject who still retains the twentieth century features a series of 'less westernized' in some places of Peru.

precisely on a selection of his lesser-known literary work in the genre of short narrative and anthropological work and essays about the book Qepay Winaq ... Always. Literature and anthropology (Iberoamericana - Vervuert, Madrid - Frankfurt am Main: 2009, 189 pp.), Foreword by Sybila Arredondo, widow of Arguedas, and a critical edition and study by Dora Sales (literary translator specializing in literature postcolonial, professor at the University Jaume I de Castellón, Spain) He says: "As an anthropologist and writer, José María Arguedas fought a painful struggle between the survival of popular culture from the Quechua world and the undeniable and unstoppable modernization of society. Arguedas always opted for dialogue and building inclusive, defending possibility of a dynamic and popular dialogue with the Fund. " The book also offers a selected bibliography of José María Arguedas, and other critical literature about him and his work. It also contains a dozen photos and a detailed facsimile of one of his manuscripts.

Selection the book comprises two parts: fiction and nonfiction. In the first short stories are : Warma Kuyay (Love child) , 1933; Yawar (Fiesta) , 1937; Huayanay [1] , 1944; huillay Yawar [2] , 1945; The agony of Rasu Niti [3] , 1962, and the story's dream put , 1965, in both versions, Quechua and English. In the second part of the selection are the writings: "Between the kechwa and Castilian, the anguish of Blood (1939)" "The hybrid popular song in Peru and India, its value and poetic documentary (1940)," The novel and the problem of literary expression in Peru (1950), "Culture: an asset difficult to settle (1966) "" Some observations on the current Indian child and the factors that shape their behavior (1966) "and " I'm not acculturated (1968). "

For those not familiar with the work of Arguedas, in this book, Qepay Winaq ... Always. literature and anthropology, the editor, Dora Sales, presents an enjoyable way of short stories, prepending headings based on quotations from the same Arguedas, so that the stories are presented as connected into a comprehensive whole Arguedas. On the other hand, for whom we have always followed the great writer of the current known indigenismo , submission of essays is offered to us as an invitation to rereading and as a challenge to assessing its validity. Therefore, this new book - not yet widespread in the Peruvian libraries - can make in this coming year a different view to the dissemination, discussion and debate around the work Arguedas, hopefully find echoes celebrate 'unofficial', but real and not insignificant, the centenary of the birth of this illustrious character of Peruvian culture, as was Jose Maria Arguedas.


[1] (Quechua): Swallow.

[2] (Quechua): song of blood.

[3] Rasu Niti (Quechua: the crushing snow) is the name of the dancer scissors.

Saturday, January 1, 2011

Ronaldinho Transvestis

Goodbye to 2010

The 2010 officially came to an end. Books and letters came and went for all and I think it's fair to make a kind of tribute to the best and worst of this year that just passed.
But first, the challenges include honorary completed during this year:
- 7.2
Challenge - Challenge your name
Lee - Fall into Reading Challenge
Thanks to the authors of the challenges and all what can paa hicieon me the complete them (from the books of perpetrators of vendors and friends who provided them).
Further details, page tab Challenges higher in this blog.

The best book I read in 2010 was:
The storyteller Rabih
Alamedin
The book more scary: That
. Stephen King

the one I did mourn:
Before I fall. Lauren Oliver

more enganchante Series:
The children of the earth. Jean M. Auel

The most useful:
The Secret. Rhonda Byne

Best film adaptation:
Secret Window, Secret Garden. Stephen King

Best villain:
Annie Wilkes. Misery. Stephen King

The best love story:
Graceling. Kristine Cashore

most original story:
Black (Series circle) Ted Dekker

New Favorite Author: Mario Puzo


Featured Author: Stephen King
(quantity). Octavio Paz (quality)

Best non-fiction book:
Aguila o sol? Octavio Paz
Author
Best debut:
Ana Victoria de la Fuente (I do, my sister of 15 years, a full-fledged author ... and quite üben if you ask me!)

The worst book I read in 2010: Angel Star Jenifer Murgia


The author who fell in my favor this year: Stephen King


That made me sleep more:
Little Women. Louisa May Alcott The biggest disappointment

literary
dragon's eyes. Stephen King

The saga that I liked least:
The Dark Tower. Stephen King

The worst film adaptation:
The Shining. Stephen King

The biggest disappointment of protaonista:
Elphaba. Mcguire Gegory Wicked

more hackneyed story: Angel Star Jenifer Murgia


The worst non-fiction book:
free time. Judith R. Smith


And those are my literary awards 2010.: D

Happy 2011!